On Mother’s Day Rhiannon and I field tripped into SF and went to a special museum exhibit — the ultimate in paper dolls. We had a great time. Then we came home and played and played and played in the backyard. She’s turned the lid on the fallow garden box (protecting the fecund soil from becoming a litterbox for the kitties) into a stage and all she wants to do is dance! I was an enrapt audience.
It takes a village to raise a child, and I am not alone on my path. Thank you to all the mothers out there, mine and my friends, and those I have never met but influence me as I try to do my best to raise this wonderful person who calls me Mommy. I love being a mom. I love being Rhiannon’s mom. And part of being a mom is saying the right thing and (hopefully) the right time. Here are three things I wish I had come up with on my own, but I am humble enough to simply say, “Yes, what she said.”
The first is Tina Fey’s Prayer for My Daughter (even though I am not really one for traditional prayer [see Big Questions post], the thought is dead on). The second and third are scene clips, each of which I will unabashedly poach when the time comes to talk to my teenager, are scenes from television shows from this season. The first is from Glee, where Kurt gets the Birds and the Bees sex talk from his dad, and the second is from Parenthood, where disaffected teen Amber gets some straight shooting from her grandfather about her actions prior to her car accident. I usually think tv is pretty lame, but these two scenes were keepers. And I hope when Rhiannon is a teen, she and I are close enough so I can get these understandings through what will then be a hormone-riddled head. Because as much as her Barbies creep me out, I do not want what comes afterward to come too soon. And because she matters… a lot. And because I dreamed of her long before I birthed her and I do not give her permission to mess with my dreams.

Tina Fey’s Prayer for My Daughter
“First, Lord: No tattoos. May neither Chinese symbol for truth nor Winnie-the-Pooh holding the FSU logo stain her tender haunches.
May she be Beautiful but not Damaged, for it’s the Damage that draws the creepy soccer coach’s eye, not the Beauty.
When the Crystal Meth is offered, may she remember the parents who cut her grapes in half And stick with Beer.
Guide her, protect her when crossing the street, stepping onto boats, swimming in the ocean, swimming in pools, walking near pools, standing on the subway platform, crossing 86th Street, stepping off of boats, using mall restrooms, getting on and off escalators, driving on country roads while arguing, leaning on large windows, walking in parking lots, riding Ferris wheels, roller-coasters, log flumes, or anything called “Hell Drop,” “Tower of Torture,” or “The Death Spiral Rock ‘N Zero G Roll featuring Aerosmith,” and standing on any kind of balcony ever, anywhere, at any age.
Lead her away from Acting but not all the way to Finance. Something where she can make her own hours but still feel intellectually fulfilled and get outside sometimes And not have to wear high heels. What would that be, Lord? Architecture? Midwifery? Golf course design? I’m asking You, because if I knew, I’d be doing it, Youdammit.
May she play the Drums to the fiery rhythm of her Own Heart with the sinewy strength of her Own Arms, so she need Not Lie With Drummers.
Grant her a Rough Patch from twelve to seventeen. Let her draw horses and be interested in Barbies for much too long, For childhood is short – a Tiger Flower blooming Magenta for one day – And adulthood is long and dry-humping in cars will wait.
O Lord, break the Internet forever, that she may be spared the misspelled invective of her peers And the online marketing campaign for Rape Hostel V: Girls Just Wanna Get Stabbed.
And when she one day turns on me and calls me a Bitch in front of Hollister, Give me the strength, Lord, to yank her directly into a cab in front of her friends, For I will not have that Shit. I will not have it.
And should she choose to be a Mother one day, be my eyes, Lord, that I may see her, lying on a blanket on the floor at 4:50 A.M., all-at-once exhausted, bored, and in love with the little creature whose poop is leaking up its back. “My mother did this for me once,” she will realize as she cleans feces off her baby’s neck. “My mother did this for me.” And the delayed gratitude will wash over her as it does each generation and she will make a Mental Note to call me. And she will forget. But I’ll know, because I peeped it with Your God eyes. Amen.”
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You Matter, pt 1: The Sex Talk for Teens
Said Burt (Dad) to Kurt (son, who happens to be gay, but this applies to all teens). I have no idea how long this clip (scroll for clip) will be available, but it first aired 3/9/11. The scene starts 32m and change in. It’s an awesome scene and this is a transcript of the key part.
“When you’re intimate with someone in that way, you gotta know that you’re exposing yourself. You’re never gonna be more vulnerable, and that scares the hell out of a lot of guys…With two guys you’ve got two people who think that sex is just sex. It’s gonna be easier to come by and once you start, you aren’t gonna want to stop. You gotta know that it means something. It’s doing something to you, to your heart, to your self-esteem, even though it feels like you’re just having fun…When you’re ready, I want you to be able to do everything. But when you’re ready, I want you to use it as a way to connect to another person. Don’t throw yourself around like you don’t matter, because you matter.”
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You Matter, pt 2: Don’t Play Loose and Fast With Your Life and Body
Zeke (the grandfather) takes Amber (teenager who partied out of control and then got in a car with someone who had been drinking) to the junkyard and walks her over to the car she got wrecked in. He makes her take a look. Then tells her the only thing that got him through Vietnam was dreaming of coming home to have a family and grandchildren. Those were his dreams and then he kind of gets in Amber’s face and says “I do not give you permission to mess with my dreams.”
He knows she’s not feeling good about herself (don’t all teens get there) but quote: “Boo Frickin Hoo. Suck it up, girl.” It would have been more effective without the next, more predictable “I will kick your ass to the Golden Gate Bridge if you do this again” but it’s had its effect, and Amber gets it. And you might have had to know the backstory to accept how she breaks, but it works. And the scene ends perfectly, as Zeke mutters “Buy you a burger”.